As such, fidelity is predictably excellent throughout (par for the class with Concord's Definitive series). Don Heckman's newly penned liner notes lean a bit toward hyperbole at times, but still provide a satisfactory overview of Corea's career.
It's not easy singling out highlights from a compendium that is basically all highlights. In 2007, Corea reteamed with vibraphonist Gary Burton for The New Crystal Silence, which won the Grammy for Best Jazz Instrumental Album. The duo, backed by the Sydney Symphony Orchestra, reworked Corea's indelible "Crystal Silence," and that recording is included here. A couple with Japanese pianist Hiromi on The Beatles' "Fool on the Hill," also from 2007, is an inventive reinvention. Another rewarding collaboration is Corea's duet with Bobby McFerrin on Thelonious Monk's "Blue Monk." Hearing McFerrin's vocal riffing against Corea's piano is great fun.
Corea's 1997 tribute to the late bebop great Bud Powell, appropriately titled "Bud Powell," features great ensemble interplay highlighted by trumpeter Wallace Roney and alto saxophonist Kenny Garrett. From 1999 comes a breathtaking solo lead on the standard "It Could Happen to You." Michael Brecker turns in some great tenor soloing on 1981's "Quartet No. 1," while guitarist Pat Metheny is a spotlight on a 1997 revisiting of Corea's classic "Windows."
From his groundbreaking contributions to Miles Davis' landmark late-'60s and early-'70s albums, through his own fusion milestones as leader of Restoration To Forever, right up to his most recent explorations, Chick Corea is among the most singular voices in jazz. The Definitive Chick Corea on Load and Concord provides a well-chosen selection of prime cuts from his more recent years.
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